Tuesday, March 11, 2008

The Patriot Pastor: 2007 SAICFF Treatment Competition Entry

Again, this is a belated update, but I've been asked about it a few times, so I'm posting it here. For the 2007 San Antonio Independent Christian Film Festival Treatment Competition, I entered the treatment of a film that I have been researching and planning for a long time. The story is pretty self-explanatory, so I'll post it here... The treatment placed in the competition, making it top-10 out of 75 entries, so I am pretty happy. I know a few of the other writers who entered treatments, and it's a real honor to be judged where I was. This project isn't just one I wrote for the fun of it--I've been thinking about the concept and doing the research since 2004 and I hope to see it made in the not-so-distant future.

THE PATRIOT PASTOR

John Calvin Young

© 2007 John Calvin Young

Genre: Historical Thriller

Setting: Colonial America

Target Audience: Families, Churches,History and Military Buffs

Predicted Rating: PG (for battle violence)

Estimated Budget: $25,-100,000 (Low end) $1-2 million (High end)

Premise: A young minister in Revolutionary Virginia has to overcome self-doubt, discouragement, and his own father's opposition in his decision to follow the Lord's call from the ministry to the military. Commercial Viability: Historical epics have risen to prominence in the movie industry in recent years. Past Revolutionary dramas like The Patriot have done very well, but were inappropriate for general
audiences.

Theological Significance: Now, even as then, many in the church believe that those who really want to serve their Lord can do it best through formal ministry. This film examines one man's search for the Will of God in his vocation and his discovery that he served the Lord best by obeying Him, “Behold, to obey is better than sacrifice.”

Concept Originality: Until about 1950, Muhlenberg had been regarded as one of the foremost generals of the Revolution. His very Christian story fell out of favor and has not been addressed except for a “debunking” show produced by PBS which discounted historical sources and completely misunderstood the motivation of the man.



The Patriot Pastor is the epic story of John Peter Gabriel Muhlenberg, a village pastor from Virginia who when war broke out in 1776 raised a regiment out of his church and led his men off to fight under George Washington, becoming one Washington's most trusted friends and generals. As the story opens, young Muhlenberg arrives at Woodstock, a Lutheran minister, newly ordained by the Anglican state church of Virginia. As he settles in, he draws the attention and friendship of the great men of the community, even winning the belle of the town as his wife. As the unrest in the colonies builds and rumors of dissent and independence begin to spread, the likeable young minister of Woodstock is put forward for election first to the Committee of Correspondence for his district and then to the Virginia House of Burgesses.

John Peter Muhlenberg goes to Williamsburg, joining his friend George Washington and being swept into the rising tide of independence. In early 1775, just a few short weeks before the decisive shots fired at Lexington and Concord, Patrick Henry gives words to the feelings of the patriots when he speaks out before the House of Burgesses and cries out, “Give me liberty or give me death!” His friend's eloquence brings Muhlenberg to a point of crisis. What is his duty? Should he lead his congregation from the pulpit or from horseback? Would he be denying the Lord's service to reject the mantle of the minister?

This faithful man of God, son of the founder of American Lutheranism, faces not only the disapproval of many in his community and the wrath of the British authorities, but even his beloved father believed that as Americans from German stock, they owed a double loyalty to George III, their king in Germany as well as in the Colonies of England. The young minister goes to his knees in pursuit of the Lord's direction. He steps back from politics for a season in order to listen to that still, soft Voice.

With the colonies in a fever pitch of excitement and the House of Burgesses dissolved by the Royal Governor, his community at Woodstock sent the young minister once again to represent them in the civil realm at the First Virginia Convention. There the final plans are made for independence. They offer him a Colonelcy and ask him to raise a regiment. The choice must be made.

One clear Sunday morning, his congregation gathers to worship. Muhlenberg stands before them and takes as his text the first verses of Ecclesiastes 3. He recounts their sufferings and the wrongs of the king and explained the sacred nature of the conflict that forced him to draw his sword. The king had broken the covenant. Christian men must stand for justice. “In the language of the Holy Writ, there was a time for all things, a time to preach and a time to pray, but those times had passed away. There was a time to fight and that time had now come!” Upon those words, he cast aside his sober robes and stood before them an officer of the new Virginia troops. Calling for volunteers, he raised that day out of his own church the core of the 8th Virginia, over 300 men.

As the first of Virginia's regiments to come to full strength, he and his troops were sent to Southern Georgia on the ill-fated Florida campaign. Caught in lowlands and swamps of Savannah in the heat of the summer, his men began to drop of illness and despair. Doubts begin to rise and he questions his own judgement. He wondered if the Lord had actually called him to this or if his people were suffering for his presumption. He writes to his father for guidance and wisdom, perhaps his father had been right. Falling ill himself, he returns home, to his father's, where his family is sheltering, to recuperate. Father and son open their hearts to one another and are reconciled.

Soon he is called back to active duty, this time to Valley Forge. As winter sets in and the troops begin to suffer, George Washington confides his doubts and fears to his old friend. Muhlenberg's trials have made him strong. With a renewed sense of purpose, he directs Washington back to the source of all their strength. As they kneel together in the cold of Valley Forge, they are reassured that to follow the Lord's calling even into ignominy or death was the only choice for the Christian man. They rose and went forth into battle, placing their trust in the Lord of Hosts.


Comments welcome--I am hoping to write this script this spring. As always, all rights reserved on the treatment.

IHS,
John Calvin Young

Monday, March 10, 2008

Review of National Treasure: Book of Secrets

This has been a while in coming, but I'm glad to announce that my review of National Treasure: Book of Secrets has been published in the John Locke Foundation's March issue of Carolina Journal. I originally wrote a much longer review after I took 14 pages of notes in the opening-night showing, but the editor of CJ, Richard Wagner, only had room for 700, so I cut it down. Editing is tough, but being forced to cut down on words makes my writing better. I've posted the full text of my review below, but I encourage you to browse the full CJ issue above--it's full of good policy/economics/culture commentary and analysis.

Going into the theater to watch the much-anticipated sequel to the 2004 hit National Treasure, I expected an action film with an emphasis on golden treasure and historical mystery. Surprisingly unlike the first film, Book of Secrets is not really about the treasure, or the mysterious Book at all; Ben Gates couldn't be less interested in actual gold--he is far more concerned with clearing an ancestor of a heinous crime than with the “find”. The film isn't all that concerned with the history either—the focus is more on what the hunt does to the principals of the drama than either the clues they follow in their quest or the treasure at the end. Despite these departures from the original film's format--or rather because of them--Book of Secrets is a stronger film overall.

The story opens a few months after the conclusion of the first film. Historian Ben Gates (Nicolas Cage) and his girlfriend, National Archives conservator Abigail Chase (Diane Kruger), have broken up and Ben has moved back in with his dad, Patrick (Jon Voight). Geeky sidekick Riley Poole (Justin Bartha) has published a book on historical mysteries and urban legends, while Patrick and Ben are collaborating on a speaking tour.

The Gates' lectures tell of an ancestor Thomas Gates, who was asked by Lincoln’s assassins to decrypt a coded document the night of the murder. When the loyal Gates realized the document contained the key to a treasure which could rejuvenate the Confederate war effort, he tried to destroy it. Gates was shot by the conspirators, but the mysterious document, missing 18 critical pages, survived.
Their narrative is challenged when a rival historian, Mitch Wilkerson (Ed Harris), comes forward with a missing page from the diary that implicates Thomas Gates in the conspiracy. Dumbfounded, Ben and Patrick realize that they must disprove the authenticity of Wilkinson's artifact or lose their family's good name—and a mysterious cipher transcribed from the fragment offers a clue to an older mystery that may validate the Gates legend.

The trail leads on to the titular “Book of Secrets”, a shadowy volume for Presidents' eyes only that Riley claims holds the answers to dozens of mysteries from prehistoric America to Area 51. Ben all-but kidnaps the President to ask him for access to the Book, but unexpectedly it is not the Secret Service but Wilkinson who nabs the group. They quickly find their lives, as well as the Gates family name, depend on foiling Wilkinson's scheme to affix his name to the greatest pre-Columbian discovery of all time.

The action of the film skillfully highlights the thematic focus of the film: the value of reputation and relationships, and how both may have life-or-death implications. Ben’s desire to redeem his ancestor’s good name drives the story. Later on, he appeals to the President’s honesty to gain access to the Book, and pledges his own word of honor to gain Abigail’s release from Wilkinson. Ben's assurance in the innocence of Thomas Gates, and his willingness to risk all to prove it, is based on his trust in his ancestors’ honesty. The restoration of trust in Ben and Abigail's relationship is integral to the story as well, underscored by a parallel reconciliation between Patrick and his estranged wife Emily (Helen Mirren).

Historical purists will probably prefer the first film, as the plot of its sequel leaves documentary history early on and leaps from conspiracy to conspiracy with gleeful abandon. Detective fans may wish for a tighter mystery. Overall, though, Book of Secrets hangs together very well and improves on the first film in many ways. While there are a few suggestive lines and spooky moments, more than the first film, the filmmakers have succeeded very well in reprising their family-friendly action thriller with a historical twist. The cynicism sometimes seen in National Treasure has been replaced by a welcome emphasis on heroism and nobility in the sequel, the constant repartee is back, and yes, there is a hook for the next sequel, if you can find it.


IHS,

John Calvin Young

The Filmmakers' Night Before Deadline

Sometime last Tuesday or Wednesday night, mired deep in the middle of the edit for A True Patriot, poetical lines of frustration began seeping into my mind around my concentration. I took a few minutes off to write them down, and it quickly morphed into the Filmmakers' Night Before Deadline. Thankfully not EVERYTHING in the poem happened to me this time, but a good bit of it did...including multiple power failures due to a bad AC power adapter during the edit and ...

It's rather rough, and some of the lines don't really scan, but this is more-or-less just as I wrote them down. With no further ado...

Twas the night before deadline, and all through the house,
Every timeline was rolling, and I burned out my mouse.
The titles were perfect, animated with care,
But the effects shots were not--in fact far from fair.

I was still up; could not go to bed,
Visions of transparency danced in my head.
When I the spacebar to output did tap,
My camera decided to take a short nap.

Then from my laptop the hard drive did clatter,
After Effects had eaten the RAM and crunched on my platter.
I sprang to my desk and quick as a flash,
Shut down iTunes for the fast final dash.

As soon as free resources had hit a new low,
The circuit overloaded and my power strip did blow!
Thank God for Autosave; my files were fine;
My nerves were not--I 'bout lost my mind.

My rendering sure wasn't moving too quick,
Time, on the other hand, was continuing to tick.
Faster than sound the deadline approached,
But then I remembered how I'd been coached:

"Bake cookies!" I shouted up, "Raisin!"
"Chocolate, Oatmeal," to tempt the mailman!
Let me print up the cover, clean up that shot,
Finish my render, and you'll have the lot!...


Hope this helps relieve some stress for a filmmaker rapidly approaching a deadline!

IHS,

John Calvin Young

Completed Project: "Richard Caswell: A True Patriot"

Friday noon we shipped off A True Patriot to the first competition we're entering it in--we were racing to complete it before the deadline. After four 8AM-to-midnight days of editing, studio recording, and post-production, we finally exported it out to tape Friday AM. This is the first film I've shot in widescreen, and I really enjoyed the experience. I learned a lot while DPing and editing this film, as it has been a step beyond anything we've ever shot before. Shooting interviews/narration is especially hard as well--when you are both the narrator and the one lighting and shooting the scene.

The film will probably be released on DVD sometime late this spring, but I may be able to put together a short trailer before then. Hopefully a website and pictures will follow as well, but I'm already getting tied up in my next project...

IHS,

John Calvin

My Daughter's Dates

I know this is late, but here is our film...it's taken me this long to catch up on sleep...



It was great working with everybody on the project: Paul and Sheilah Munger, Ryan Bruce, and Chuck Fultz, plus the cast. The film website is at www.mydaughtersdates.com. We placed 18th out of 71 entries in the rankings by points but in the first couple of days up we were #2 in total views...not sure where we are now. Hope you enjoy it!

In His Service,

John Calvin Young

Saturday, March 01, 2008

Another 1 AM Post

I'm sitting here at 1 AM with three other great brothers in Christ working over the script for our entry in the Christian Filmmakers.org 24-hour film contest. Unfortunately, the majority opinion of the team holds that I can't even disclose the title 6 hours before we get the security elements for the shoot. Ah well. $500 top prize, 24 hours, four laptops, a desktop and a XL-2...plus a great crew of Christian guys and girls... it's going to be an interesting Saturday. Off to bed now--if I can get a wifi connection on set I may be able to post some updates during the day.

In His Service,

John Calvin Young